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Product Description

2000 album for French house DJ. Tracks include the hit ‘I Feel For You’. Standard jewel case.

Full Album Tracks Listing
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1. Champs Elysees Theme
2. I Feel for You
3. You Are Beautiful
4. Striptease
5. Got to Be Free - Bob Sinclar,
6. Life - Chezere, , Bob Sinclar
7. Save Our Soul
8. Phasing News
9. Ich Rocke
10. Freedom
11. Darlin’ - Bob Sinclar, James “D-Train” Williams
12. My Only Love [*]

Review by Nick

First of all, nothing will ever live up to their amazing debut, but this album comes very close. That is an accomplishment. This is simply the best sort of pop there is. This is also a much more introspective album than their debut. No, Savage Garden are not a boy band. Just listen to the intelligent songs on this album and it will prove it. Here are the tracks: 1.AFFIRMATION: Boy, twenty life lessons in one rapid fire song! Some people could learn a lot from these lyrics. It’s a great kick-off song. 2.HOLD ME: Classic, mid-tempo Savage Garden. This is a really cool, catchy song. The lyrics are very inventive, as they are always on the record. 3.I KNEW I LOVED YOU: A slow ballad much like “Truly Madly Deeply”. Although it was a huge hit, it’s actually one of the worst songs on the album. 4.THE BEST THING: A wonderful, upbeat song. The verses have a really cool melody and the chorus is really catchy. 5. CRASH AND BURN: An amazing mid-tempo song that reaches out to those in a time of need. Great lyrics and chorus. 6.CHAINED TO YOU: This is a great upbeat song. It’s pop, with a little bit of rock elements drawn into it. It was instantly one of my favorites. 7.THE ANIMAL SONG: This was released on a soundtrack before this album came out. It’s a great upbeat song with an awesome melody and a lot of drum beats. 8.THE LOVER AFTER ME: This is just a great pop song. It doesn’t really stand out, but it just really good. I can’t really explain it. The more I listen to it, the more that I like it. 9.TWO BEDS AND A COFFEE MACHINE: Probably my favorite song on the album. It’s simply beautiful and the best ballad that Savage Garden has ever done. I will never get tired of it. 10.YOU CAN STILL BE FREE: A haunting ballad that builds up to such a great song. The high notes hit by Darren are amazing. 11. GUNNING DOWN ROMANCE: This song is not instantly likable, and is a change for SG, but after repeat listens it really grow on you. The melody changes a lot and it is pretty creepy. 12. DON’T KNOW YOU ANYMORE: What an amazing, sad ballad. The songwriting and performance are so amazing. I don’t understand how anyone can dislike something like this. Read the rest of this entry »

Review by The Groove

Michael Jackson’s sanity is clearly a matter of debate, but only a fool would deny his talent and chart supremacy since leaving Motown. “Number Ones” is yet another collection featuring the usual lineup of his classic hits: “Billie Jean,” “Don’t Stop Til You Get Enough,” “Beat It,” “Rock With You,” and so on. The tracklisting is presented in chronological order, starting with material from “Off the Wall,” right up to the previously unreleased R. Kelly ballad “One More Chance” and a somewhat unnecessary live performance of “Ben.” There isn’t much for me to comment about the hits themselves, except to say that unless you’ve been living in a 25 year coma, you’re already familiar with 90% of this album. But the problems with “Number Ones” are twofold: first, the tracklisting overlaps Jackson’s previous hits album “HIStory.” Do we really need yet another recycling of songs millions of us already have? Also, not all of the tracks on “Number Ones” topped the chart, such as the excellent “Smooth Criminal” and “Break of Dawn,” a cut off 2001’s “Invincible” that was never even released as a single. Is “Number Ones” a competent survey of Jackson’s biggest hits? Yes, it is. But is it a necessary purchase? Not if you already own “HIStory.” While listeners green to Jackson’s work should pick this up, “Number Ones” brings almost nothing new to the table for those who already own his prior albums. Read the rest of this entry »

Review by イッコ - レビューをすべて見る

初めて書き込みさせて頂きます。
私は、最近になりIXに再熱して、その勢いでサウンドトラックとこのピアノコレクションを購入いたしました。
FFシリーズでCDを買ったのは初めてなので、ロクなレビューじゃないかもしれませんが…。

個人的には凄く大好きな一枚です。
サントラと比べると全然雰囲気が違いますし、ピアノでしか表現できない部分もあり、エンドレスで聴いていても飽きが来ません。
何と言いますか、「もう一周終わっちゃったの？」と思うくらいです。
知らず知らずに時が経っているのを忘れるくらいに聴き入ってしまってます。
また、このピアノに編曲された方が好みって言う曲も実はあったりもしますし…（もちろん原曲も好きですが）

少しでも興味がある方にはオススメです。
ちょっとした興味で買うには少し高値な気もしますが、このCDを聴けばきっとそんな気持ちは飛んでしまうはず！ Read the rest of this entry »

Review by J-Man

When I first played Gitaroo Man and beat it, I rushed out and purchased the soundtrack the very next day; be aware that I have never, *ever* done this before. Yes, the music is THAT good. Being an avid rhythm-action game music fan means that I’ve heard it all, from Parappa The Rapper, to Bust a Move, the entire Bemani series, and everything else in between… but nothing touches Gitaroo Man in terms of sheer quality and instant accessibility.

With the exception of “Soft Machine” and “21 Century Boy”, as well as the Japanese eurobeat styling of “Flyin’ To Your Heart,” the score isn’t very big on vocals, so those who are adverse to such needn’t worry too much here. Most of the songs, in fact, are purely instrumental, and excellently composed instrumentals at that. Produced and written by Tomohiro Harada and Japanese rock band COIL, Gitaroo Man boasts a wide variety of imaginative and appealing musical categories that are well-suited to the guitar. If there’s one thing that the Japanese (and the game music genre, in particular) have proven to us, it is that they can take the best of everything out there, put their own melodic spin on it, and *BOOM* crank out some music magic. “Born To Be Bone,” my personal favorite piece, simply transcends adjectives. If I could try, I would describe it as Spanish tango, set to a pounding jungle-tribal beat, all driven along by a dazzling palette of battery percussion, xylophones, marimbas, and a Jew harp. Yes, a Jew harp. Totally off-the-wall, yet wholly organic, it is, in short, a brilliantly crafted piece. Read the rest of this entry »

Review by darragh o’donoghue

The great escape is through buying this album, opening yuor mind to a world of possibilities, and not getting stuck in an infernal rut like the characters within it, a sorry world of automatons, stereotypes, caricatures, cliches, mannequins, marionettes and gibbering ventriloquist’s dummies.

After the enjoyable Cockney charade of ‘Parklife’, this is the real thing: a complete nightmare vision, Pynchon’s model of informaiton overload leading to entropy and inertia. Despite the 60s aesthetic of many songs, and the spanking 90s modernity of the production, this is a worldview belonging to the 70s, that of Monty Python’s stockbrokers, suicidal Reggie Perrin, Martin Amis, Mike Leigh. It is a world where prosperity and progress lead to mindless repetition - the recurrent figure in these songs is the circle: the waltz that surprisingly concludes ‘Mr Robinson’s Quango’; the fairground roundabout tinkles, where innocence has been replaced by infantilisation. Read the rest of this entry »

Review by AustinAng

a collection of incredible music pulled from the Oldies! Aspyr Media’s producer Zach Rener does an excellent job of making this one of the best compilation albums of 2005.

Songs such as Rogue Wave’s “Everyday” and Milton Mapes’ “Lonesome Town” get a new, hazy-lazy-day feel to them that is both touching and inspiring. On the other end of the spectrum, Phantom Planet’s “The Living Dead” and Rose Hill Drive’s “Shakin’ All Over” get an updated, funk-rock sound which reminds the listener what “psychedelic” means.

Overall, this album is a great mix of pop and alt-funk, with some lovely lounge sounds to keep us interested. It is not often a game soundtrack can hold its own. This album does just that. Read the rest of this entry »