Alicia Keys - Unplugged [2005]
Posted by admin on May 26th, 2008
Forget that it’s awfully hard to call this live recording Unplugged. Unlike the early installments of the MTV series, which focused on a performer accompanied only with an acoustic guitar, resulting in unsurprisingly simple affairs, Alicia Keys’ Unplugged is big, splashy, and immodest — even if her guitarist is playing acoustic and she plays a piano, not a synth, the extra vocalists, horn section, strings, and full rhythm section complete with electric bass makes this anything but "unplugged." But that doesn’t really matter, since this is presented and marketed as a live album more than an acoustic record, and, as a live album, it’s OK. Certainly, Keys and her 16 supporting musicians are professionals and they deliver tight, polished grooves, Read the rest of this entry »
I remember ignoring this album when it was originally released because the thought of an ambient Marley record sounded lame. What a terrible mistake on my part! This CD just flattened me! There’s a lot more going on than just a typical dub remix so some purists may not dig it, but if you appreciate ambient and good dub this is all you. I can’t believe how well these songs work in this context (with the possible exception of No Woman No Cry; it’s good but not great.) This is a sweet record to chill out to or to put on when you want the mood laid back. It sounds cool in the headphones but in a good system with big bass it really opens up. Bass players take heed: Aston 
Share the music of your favourite artists with your children through the instrumental melodies of Babies Go.
The classic Marley album, the one that any fair-weather reggae fan owns, Legend contains 14 of his greatest songs, running the gamut from "I Shot the Sheriff" to the meditative "Redemption Song" and the irrepressible "Three Little Birds." Some may argue that the compilation shortchanges his groundbreaking early ska work or his status as a political commentator, but this isn’t meant to be definitive, it’s meant to be an introduction, sampling the very best of his work. And it does that remarkably well, offering all of his genre-defying greats and an illustration of his excellence, warmth, and humanity. In a way, it is perfect since it gives a doubter or casual fan anything they could want. Let’s face it, the beauty and simplicity of Marley’s 
After the surprise international success of her 2005 debut, Eye to the Telescope, there were two ways that KT Tunstall could have gone: she could have succumbed to its sleepy, serious undercurrents, bringing herself closer to Dido, or she could have pursued the brighter, poppier inclinations of its singles "Black Horse & the Cherry Tree" and "Suddenly I See." A quick glance at the cover of her 2007 follow-up, Drastic Fantastic, leaves little doubt of which path she chose. The singer/songwriter, who was pictured in a pensive pose on the U.K. cover of her debut and in a stark black-and-white photo on the U.S. release, is decked out in a white dress and high-heeled boots, sporting a giant silver-spangled electric 
Interscope Records has released three variations of soundtrack albums from the film - a standard edition and two deluxe editions. The standard edition contains 16 tracks from the film soundtrack. The first version of the deluxe edition features 31 tracks - all of the vocal performances and one of the three instrumental tracks. This 31-track version is available solely at the Best Buy retail chain and in a digital version via iTunes. A second version of the deluxe edition is available at other retail outlets. The second version differs from the 31-track version in that it omits two tracks: "I Want You (She’s So Heavy)" and "Why Don’t We Do It In The Road?". The total time for these two missing tracks is 5 minutes. 
Receiving an Honorary Oscar® at the 79th Annual Academy Awards® for his lifetime achievement, composer Ennio Morricone has made a monumental contribution to more than 500 indelible film and television scores including "The Good, the Bad and the Ugly," "The Mission," "Once Upon a Time in America," "The Untouchables," "Cinema Paradiso" and others. To celebrate Maestro Morricone, 16 guest artist that include Andrea Bocelli, Chris Botti, Celine Dion, Renée Fleming, Herbie Hancock, Quincy Jones, Yo-Yo Ma, Metallica, Quincy Jones, Bruce Springsteen and others join in all-star performances of Maestro Morricone’s most memorable music on his new album WE ALL LOVE ENNIO MORRICONE. 
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