Posted by admin on May 13th, 2008
It’s only appropriate that Xzibit’s highly anticipated, and often-delayed, Restless concluded hip-hop’s millennial melting pot. After all, Xzibit’s association with Dr. Dre and his Aftermath regime attached very lofty expectations to Restless; X was publicly anointed as the next MC expected to blow up. Surely, with Dre as executive producer and guest shots from Eminem, Snoop Dogg, and Dre himself, Xzibit was virtually assured of acquiring the mainstream success that eluded him on previous efforts (At the Speed of Life and 40 Dayz & 40 Nightz). Thanks largely to Dre’s knob-twisting input, Restless became aural kin to Dre’s own 2001 comeback vehicle, as the head-nod factor is immediately established on “Front to Back,” the heavenly synth stabs “X,” and “Get Your Walk On.” The main Read the rest of this entry »
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Posted by admin on May 13th, 2008
Along with Dr. Dre’s The Chronic, the Wu-Tang Clan’s debut, Enter the Wu-Tang (36 Chambers), was one of the most influential rap albums of the ’90s. Its spare yet atmospheric production — courtesy of RZA — mapped out the sonic blueprint that countless other hardcore rappers would follow for years to come. It laid the groundwork for the rebirth of New York hip-hop in the hardcore age, paving the way for everybody from Biggie and Jay-Z to Nas and Mobb Deep. Moreover, it introduced a colorful cast of hugely talented MCs, some of whom ranked among the best and most unique individual rappers of the decade. Some were outsized, theatrical personalities, others were cerebral storytellers and lyrical technicians, but each had his own distinctive style, which made for an album of tremendous Read the rest of this entry »
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Posted by admin on May 13th, 2008
The week “Run It!” was released, it went straight to the top of the Billboard Hot 100 and became the first single from a male artist to debut at that spot. That’s no slight feat, especially for a reheated version of Usher’s “Yeah!” made by a fresh-faced teenager who reps a little town in Virginia that rhymes with “grab a hammock.” On “Run It!,” Chris Brown is boosted by production from Scott Storch and an appearance by Juelz Santana. The song’s way of tempering Brown’s small-town innocence with hard-edged backing and a guest spot from an MC of ill repute is clearly a strategy to make the singer appeal to more than tween girls. (Had Brown been coming up in the early ’90s, Quincy Jones — not Dr. Dre — might’ve produced him and Prince — not Luther Campbell — might’ve assisted, which just Read the rest of this entry »
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Posted by admin on May 13th, 2008
"Y’all n*ggas got me really confused out there. I make ‘Big Pimpin’ or ‘Give It to Me,’ one of those — that had me as the greatest writer of the 21st century. I make some thought-provoking sh*t — y’all question whether he fallin’ off." When you’ve built up a back catalog of eight studio albums and walk the earth as one of the biggest, most high-profile artists of the ’90s and 2000s, you’re bound to get some mixed signals from those who pay attention to you. However, the jury did not take long to reach a verdict on 2006’s Kingdom Come: the consensus on it (as a major fall-off) was as swift and strong as the consensus on Reasonable Doubt (as a classic). Once used copies of Kingdom Come became easily Read the rest of this entry »
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Posted by admin on May 11th, 2008
What an incredible display of funk! This group takes groove to the next level. Waiting for a US tour….Bring it!
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1. Ready…Aim…
2. Givson
3. Green Goddess
4. Theme From Laundreitas?
5. Who Killed The Southbarrow Peacock?
6. Paste
7. Little Suns Read the rest of this entry »
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Posted by admin on May 4th, 2008
Graduation’s pre-leak talk wasn’t as substantive as it was with Kanye West’s first two albums. As with just about any other artist’s third album, it had to be expected. The College Dropout was one of the most anticipated debuts of the early 2000s, while Late Registration had people wondering why Kanye would feel the need to work so extensively with multi-instrumentalist rock producer Jon Brion (the J Dilla of the chamberlin) and whether or not Kanye’s hubristic tendencies would get the better of it. With Graduation, there was Takashi Murakami’s artwork, a silly first-week sales competition with the decreasingly relevant 50 Cent, and chatter about synthesizers running wild. That was about it, but it all seemed loud and prevalent, due in part to a lack of high-profile rap albums released in 2007. Graduation is neither as bold nor as scattered Read the rest of this entry »
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Posted by admin on April 25th, 2008
2008 collection of unreleased gems, remixes and classics from the modern Soul diva. Lauryn Hill is an accomplished rapper, singer, record producer and film actress. Ms. Hill initially established her reputation as force to be reckoned with on the Fugees’ albums Blunted On Reality and The Score. She launched her solo career with The Miseducation of Lauryn Hill, bringing the then emerging Neo-Soul genre to a wider commercial platform. Features guest appearances from D’Angelo, Rah Digga and John Forte. Think Differently. Read the rest of this entry »
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