Posted by admin on June 30th, 2008
I loved every second of Hybrid Theory and Meteora. I loved the heavy guitar riffs, the mix of rap + rock. This album lacks the heavyness that characterized its predecessors. Most of the tracks are soft. Gone is the Points of Authority style headbanging except maybe that guitar solo part of What I’ve Done. I’m not even talking the peaceful serenity of the Easier to Run or In the End intro segments. This is way softer than all that. If you remember jumping up and down to the LP songs of the old days, use these to put you to sleep at night. Read the rest of this entry »
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Posted by admin on June 30th, 2008
The remix album — the time-honored tradition of buying time between records. Often, these are inconsequential affairs (Limp Bizkit’s New Old Songs leaps to mind, for some reason), but if a band is smart, they can use this time-buying ploy to their advantage, redefining their sound somewhat, or at least reaching out for that elusive street credibility. The latter option is especially true for bands that have a big, big chart hit on their hands but little critical respect or reputation as a hip band. Which brings us to Linkin Park’s Reanimation, a generous 20-track remix record of their debut Hybrid Theory that the band has vaguely alluded to as their art project. Read the rest of this entry »
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Posted by admin on June 28th, 2008
In the wake of Michael Hutchence’s tragic death, INXS’s Greatest Hits seems sadly ironic in that it is, in part, a fitting eulogy and biography. No doubt about it, Hutchence gave the band its charisma, its sensuality, and also its funk appeal. So what if he couldn’t dance? His phrasing and sense of timing were more than half of the rhythm behind “Need You Tonight,” “What You Need,” and “New Sensation.” He even gave Mick Jagger a run for his money with “Devil Inside” and “Suicide Blonde.” As a band, INXS were a finely honed machine, even from the beginning new-wave horns of “The One Thing” to the more orchestral “Never Tear Us Apart.” The Read the rest of this entry »
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Posted by admin on June 28th, 2008
Dire Straits’ minimalist interpretation of pub rock had already crystallized by the time they released their eponymous debut. Driven by Mark Knopfler’s spare, tasteful guitar lines and his husky warbling, the album is a set of bluesy rockers. And while the bar band mentality of pub-rock is at the core of Dire Straits — even the group’s breakthrough single, “Sultans of Swing,” offered a lament for a neglected pub rock band — their music is already beyond the simple boogies and shuffles of their forefathers, occasionally dipping into jazz and country. Knopfler also shows an inclination toward Dylanesque imagery, which enhances Read the rest of this entry »
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Posted by admin on June 28th, 2008
Posted by admin on June 28th, 2008
Posted by admin on June 22nd, 2008
Hard to believe that at one point Trent Reznor was seen as the quintessential perfectionist, squirreled away in a decaying Victorian house, sweating over each individual track he created, spending upwards of six years between albums. He’s shattered that image in the new millennium, especially after his 2007 divorce from Interscope, a parting of the ways that left him free to release albums when and how he chose. Reznor immediately embraced that opportunity, releasing the instrumental double-album Ghosts I-IV without announcement in March 2008, then quickly following Read the rest of this entry »
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