Goldfrapp - Black Cherry [2003]

In an admirably daring move, Goldfrapp’s second album, Black Cherry, takes the duo in a very different direction than its instant-classic debut, Felt Mountain. Instead of just serving up more lush electronic torch songs — which certainly would’ve been welcome — Allison Goldfrapp and Will Gregory continue in the direction that their cover of Olivia Newton-John’s "Physical" suggested, adding digital-sounding synths, electroclash-inspired drum machines, and more overtly sexual lyrics to their music. While their artistic risk-taking is commendable, unfortunately the same can’t always be said for the results: Black Cherry sounds unbalanced, swinging between delicate, deceptively icy ballads and heavier, dance-inspired numbers without finding much of a happy medium between them. It’s true that Felt Mountain’s cinematic sweep owes a debt to the likes of Portishead, Björk, John Barry, and Shirley Bassey, but its mix of old-school glamour and more modern arrangements — not to mention Allison Goldfrapp’s charms as a futuristic siren, at once sensual and aloof — were so compelling that the album felt fresh despite its roots. Black Cherry, however, is so dominated by its influences that all too often there doesn’t seem to be enough room left in the music for Goldfrapp to really make the music its own. To be fair, most of the album isn’t bad — it’s just not as consistently amazing as Felt Mountain. Songs like "Crystalline Green," "Tiptoe," and "Train" are among the better synth pop-inspired tracks, keeping enough of Goldfrapp’s previous sound to give a good balance of familiarity and invention, but they don’t really show off the expressive range of Goldfrapp’s voice that well. Review by Heather Phares @ allmusic.com